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Lord of the Dance
Author: Sydney Bertram Carter (1915-2004) Meter: Irregular with refrain Appears in 52 hymnals Topics: Dance First Line: I danced in the morning when the world was begun Refrain First Line: Dance, then, wherever you may be Lyrics: 1 I danced in the morning
when the world was begun,
and I danced in the moon
and the stars, and the sun,
and I came down from heaven
and I danced on the earth--
at Bethlehem I had my birth.
Refrain:
Dance, then, wherever you may be:
I am the Lord of the Dance, said he,
and I’ll lead you all, wherever you may be,
and I’ll lead you all in the Dance, said he.
2 I danced for the scribe
and the Pharisee,
but they would not dance
and they would not follow me.
I danced for the fishermen,
for James and John --
they came with me
and the Dance went on. [Refrain]
3 I danced on the Sabbath
when I cured the lame,
the holy people
said it was a shame.
They whipped and they stripped
and they hung me high,
and they left me there
on a Cross to die. [Refrain]
4 I danced on a Friday
and the sky turned black --
it’s hard to dance
with the devil on your back.
They buried my body
and they thought I’d gone --
but I am the Dance
and I still go on. [Refrain]
5 They cut me down
and I leapt up high --
I am the life
that’ll never, never die.
I’ll live in you
if you’ll live in me,
I am the Lord
of the Dance, said he. [Refrain] Scripture: 2 Samuel 6:14 Used With Tune: LORD OF THE DANCE
Lord of the Dance
Let all creation dance
Author: Brian Arthur Wren, 1936- Meter: 6.6.6.6.4.4.4.4 Appears in 5 hymnals Topics: Hymns Specially Suitable for Liturgical Dance Lyrics: 1 Let all creation dance
in energies sublime,
as order turns with chance,
unfolding space and time,
for nature's art
in glory grows,
and newly shows
God's mind and heart.
2 God's breath each force unfurls,
igniting from a spark
expanding starry swirls,
with whirlpools dense and dark.
Though moon and sun
seem mindless things,
each orbit sings:
'Your will be done.'
3 Our own amazing earth,
with sunlight, cloud and storms,
and life's abundant growth
in lovely shapes and forms,
is made for praise,
a fragile whole,
and from its soul
heaven's music plays.
4 Lift heart and soul and voice:
in Christ all praises meet
and nature shall rejoice
as all is made complete.
In hope be strong,
all life befriend
and kindly tend
creation's song. Scripture: Colossians 1:15-18 Used With Tune: DARWALL
Let all creation dance
Join in the Dance
Author: Dan Schutte, b. 1947 Appears in 4 hymnals Topics: Dance; Dance; Dance First Line: Wake, O people; sleep no longer Refrain First Line: Join in the dance of the earth's jubilation! Used With Tune: [Wake, O people; sleep no longer]
Join in the Dance
LORD OF THE DANCE
Meter: Irregular Appears in 78 hymnals Composer and/or Arranger: Sydney Carter Topics: Dance Tune Sources: Shaker melody Tune Key: F Major Incipit: 55112 31345 55321 Used With Text: I Danced in the Morning
LORD OF THE DANCE
NOËL NOUVELET
Meter: 11.11.10.11 Appears in 103 hymnals Composer and/or Arranger: Iona Community Topics: Dance Tune Key: G Major Incipit: 15645 34453 21156 Used With Text: Jesus Christ is Waiting
NOËL NOUVELET
I danced in the morning (Lord of the dance)
Author: Sydney Carter, 1915- Hymnal: The Book of Praise #250 (1997) Meter: Irregular with refrain Topics: Dance First Line: I danced in the morning when the world was begun Refrain First Line: Dance, then wherever you may be Lyrics: 1 I danced in the morning when the world was begun,
and I danced in the moon and the stars and the sun,
and I came down from heaven and I danced on the earth;
at Bethlehem I had My birth.
Refrain:
Dance, then, wherever you may be;
I am the Lord of the Dance, said he,
and I’ll lead you all, wherever you may be,
and I’ll lead you all in the dance, said he.
2 I danced for the scribe and the Pharisee,
but they would not dance and they wouldn't follow me;
I danced for the fishermen, for James and John;
they came with me and the dance went on. [Refrain]
3 I danced on the Sabbath and I cured the lame;
the holy people said it was a shame.
They whipped and they stripped and they hung me high,
and left me there on a cross to die. [Refrain]
4 I danced on a Friday when the sky turned black;
it’s hard to dance with the devil on your back.
They buried my body, and they thought I’d gone,
but I am the dance, and I still go on. [Refrain]
5 They cut me down and I leap up high;
I am the life that'll never, never die;
I’ll live in you if you’ll live in me;
I am the Lord of the Dance, said he. [Refrain] Scripture: Job 38:7 Languages: English Tune Title: LORD OF THE DANCE
I danced in the morning (Lord of the dance)
Lord of the Dance
Author: Sydney Bertram Carter (1915-2004) Hymnal: Church Hymnary (4th ed.) #404 (2005) Meter: Irregular with refrain Topics: Dance First Line: I danced in the morning when the world was begun Refrain First Line: Dance, then, wherever you may be Lyrics: 1 I danced in the morning
when the world was begun,
and I danced in the moon
and the stars, and the sun,
and I came down from heaven
and I danced on the earth--
at Bethlehem I had my birth.
Refrain:
Dance, then, wherever you may be:
I am the Lord of the Dance, said he,
and I’ll lead you all, wherever you may be,
and I’ll lead you all in the Dance, said he.
2 I danced for the scribe
and the Pharisee,
but they would not dance
and they would not follow me.
I danced for the fishermen,
for James and John --
they came with me
and the Dance went on. [Refrain]
3 I danced on the Sabbath
when I cured the lame,
the holy people
said it was a shame.
They whipped and they stripped
and they hung me high,
and they left me there
on a Cross to die. [Refrain]
4 I danced on a Friday
and the sky turned black --
it’s hard to dance
with the devil on your back.
They buried my body
and they thought I’d gone --
but I am the Dance
and I still go on. [Refrain]
5 They cut me down
and I leapt up high --
I am the life
that’ll never, never die.
I’ll live in you
if you’ll live in me,
I am the Lord
of the Dance, said he. [Refrain] Scripture: 2 Samuel 6:14 Languages: English Tune Title: LORD OF THE DANCE
Lord of the Dance
Lord of the Dance
Author: Sydney Bertram Carter (1915-2004) Hymnal: Hymns of Glory, Songs of Praise #404 (2008) Meter: Irregular with refrain Topics: Dance First Line: I danced in the morning when the world was begun Refrain First Line: Dance, then, wherever you may be Lyrics: 1 I danced in the morning
when the world was begun,
and I danced in the moon
and the stars and the sun,
and I came down from heaven
and I danced on the earth--
at Bethlehem I had my birth.
Refrain:
Dance, then, wherever you may be;
I am the Lord of the Dance, said he,
and I’ll lead you all wherever you may be,
and I’ll lead you all in the Dance, said he.
2 I danced for the scribe
and the Pharisee,
but they would not dance
and they would not follow me;
I danced for the fishermen,
for James and John --
they came with me
and the Dance went on. [Refrain]
3 I danced on the Sabbath
when I cured the lame,
the holy people
said it was a shame.
They whipped and they stripped
and they hung me high,
and they left me there
on a Cross to die. [Refrain]
4 I danced on a Friday
and the sky turned black --
it’s hard to dance
with the devil on your back.
They buried my body
and they thought I’d gone --
but I am the Dance
and I still go on. [Refrain]
5 They cut me down
and I leapt up high --
I am the life
that’ll never, never die.
I’ll live in you
if you’ll live in me,
I am the Lord
of the Dance, said he. [Refrain] Scripture: 2 Samuel 6:14 Languages: English Tune Title: LORD OF THE DANCE
Lord of the Dance
Ruth C. Duck
b. 1947 Person Name: Ruth C. Duck (b. 1947) Topics: Dance Author of "You are called to tell the story" in Church Hymnary (4th ed.)
Ruth C. Duck
Henry Thomas Smart
1813 - 1879 Person Name: Henry Thomas Smart (1813-1879) Topics: Dance Composer of "REGENT SQUARE" in Church Hymnary (4th ed.) Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
Lowell Mason
1792 - 1872 Person Name: Lowell Mason, 1792-1872 Topics: Hymns Specially Suitable for Liturgical Dance Adapter of "ANTIOCH" in Together in Song Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
