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Thy Might Sets Fast the Mountains

Meter: 7.6.7.6 D Appears in 8 hymnals Topics: Glory And Majesty Of God Lyrics: 1 Thy might sets fast the mountains; Strength girds Thee evermore To calm the raging peoples And still the ocean’s roar. Thy majesty and greatness Are through all lands confessed, And joy on earth Thou sendest Afar, from east to west. 2 To bless the earth Thou sendest From Thy abundant store The waters of the springtime, Enriching it once more. The seed by Thee provided Is sown o'er hill and plain, And Thou with gentle showers Dost bless the springing grain. 3 The year with good Thou crownest, The earth Thy mercy fills, The wilderness is fruitful, And joyful are the hills; With corn the vales are covered, The flocks in pastures graze; All nature joins in singing A joyful song of praise. Used With Tune: WEBB
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Now Blessed Be Jehovah God

Meter: 8.6.8.6 Appears in 23 hymnals Topics: Glory And Majesty Of God Lyrics: 1 Now blessed be Jehovah God, The God of Israel, Who only doeth wondrous works, In glory that excel; Who only doeth wondrous works, In glory that excel. 2 And blessed be His glorious Name To all eternity; The whole earth let His glory fill; Amen: So let it be; The whole earth let His glory fill; Amen: So let it be. Scripture: Psalm 72 Used With Tune: CORONATION
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Almighty God, Thy Lofty Throne

Meter: 8.8.8.8 Appears in 7 hymnals Topics: Glory And Majesty Of God Lyrics: 1 Almighty God, Thy lofty throne Has justice for its cornerstone, And shining bright before Thy face Are truth and love and boundless grace. 2 With blessing is the nation crowned Whose people know the joyful sound; They in the light, O Lord, shall live, The light Thy face and favor give. 3 Thy Name with gladness they confess, Exalted in Thy righteousness; Their fame and might to Thee belong, For in Thy favor they are strong. 4 All glory unto God we yield, Jehovah is our help and shield; All praise and honor we will bring To Israel's Holy One, our King. Scripture: Psalm 89 Used With Tune: WINCHESTER NEW

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LYONS

Meter: 10.10.11.11 Appears in 768 hymnals Composer and/or Arranger: J. Michael Haydn Topics: Glory And Majesty Of God Tune Key: A Flat Major Incipit: 51123 14432 51123 Used With Text: O Worship The King, All-glorious Above
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NICEA

Meter: 12.13.12.10 Appears in 1,041 hymnals Composer and/or Arranger: Rev. John B. Dykes Topics: Glory And Majesty Of God Tune Key: E Flat Major Incipit: 11335 56666 53555 Used With Text: God is King Forever; Let the Nations Tremble
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CORONATION

Meter: 8.6.8.6 Appears in 1,258 hymnals Composer and/or Arranger: Oliver Holden Topics: Glory And Majesty Of God Tune Key: G Major or modal Incipit: 51133 21232 13212 Used With Text: Now Blessed Be Jehovah God

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Sing to the Lord, Sing His Praise

Hymnal: Psalter Hymnal (Red) #196 (1934) Meter: 11.10.11.9 Topics: Glory And Majesty Of God First Line: Sing to the Lord, sing His praise, all ye peoples Lyrics: 1 Sing to the Lord, sing His praise, all you peoples, New be your song as new honors ye pay; Sing of His majesty, bless Him forever, Show His salvation from day to day. 2 Tell of His wondrous works, tell of His glory, Till through the nations His Name is revered; Praise and exalt Him, for He is almighty, God over all let the Lord be feared. 3 Vain are the heathen gods, idols and helpless; God made the heavens, and His glory they tell; Honor and majesty shine out before Him, Beauty and strength in His temple dwell. 4 Give unto God Most High glory and honor, Come with your offerings and humbly draw near; In holy beauty now worship Jehovah, Tremble before Him with godly fear. 5 Make all the nations know God reigns forever; Earth is established as He did decree; Righteous and just is the King of the nations, Judging the peoples with equity. 6 Let heaven and earth be glad; waves of the ocean, Forest and field, exultation express; For God is coming, the Judge of the nations, Coming to judge in His righteousness. Scripture: Psalm 96 Languages: English Tune Title: WESLEY
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Now unto Jehovah, Ye Sons of the Mighty

Hymnal: Psalter Hymnal (Red) #56 (1934) Meter: 12.11.12.11 Topics: Glory And Majesty Of God Lyrics: 1 Now unto Jehovah, ye sons of the mighty, All glory and strength and dominion accord; Ascribe to Him glory, and render Him honor, In beauty of holiness worship the Lord. 2 The voice of Jehovah, the God of all glory, Rolls over the waters, the thunders awake; The voice of Jehovah, majestic and mighty, Is heard, and the cedars of Lebanon break. 3 His voice makes the mountains and deserts to tremble, Wild beasts are affrighted, the forests laid bar, And through all creation, His wonderful temple, All things He has fashioned His glory declare. 4 The Lord ruled in might at the flood of great waters, A King Whose dominion is never to cease; The Lord will give blessing and strength to His people, The Lord all His people will comfort with peace. Scripture: Psalm 29 Languages: English Tune Title: ARLES
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Jehovah Reigns in Majesty

Hymnal: Psalter Hymnal (Red) #203 (1934) Topics: Glory And Majesty Of God First Line: God Jehovah reigns Lyrics: 1 Jehovah reigns in majesty, Let all the nations quake; He dwells between the cherubim, Let earth's foundations shake. Supreme in Zion is the Lord, Exalted gloriously; Ye nations, praise His Name with awe, The Holy One is He. 2 The mighty King loves justice well, And equity ordains; He rules His people righteously And faithfulness maintains. O magnify the Lord our God, Let Him exalted be; In worship at His footstool bow, The Holy One is He. 3 When priests and prophets called on God, He their petitions heard; His cloudy pillar led them on, And they obeyed His word. Though sending judgments for their sins, He pardoned graciously; Exalt the Lord and worship Him, The Holy One is He. Scripture: Psalm 99 Languages: English Tune Title: ELLACOMBE

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John B. Dykes Topics: Glory And Majesty Of God Composer of "NICEA" in Psalter Hymnal (Red) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Reginald Heber

1783 - 1826 Person Name: Bishop Reginald Heber Topics: Glory And Majesty Of God Author of "Holy, Holy, Holy!" in Psalter Hymnal (Red) Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

Robert Grant

1779 - 1838 Topics: Glory And Majesty Of God Author of "O Worship The King, All-glorious Above" in Psalter Hymnal (Blue) Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)