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Puedo oír tu voz llamando
Author: E. W. Blandy; Sra. F. F. D. Appears in 18 hymnals Topics: Discipulado y Servicio Refrain First Line: Seguiré do tú me guies Used With Tune: NORRIS
Puedo oír tu voz llamando
Entre el vaivén de la ciudad
Author: Frank Mason North; Anónimo Meter: 8.8.8.8 Appears in 11 hymnals Topics: Discipulado Lyrics: 1 Entre el vaivén de la ciudad,
más fuerte aún que su rumor;
en lid de raza y sociedad
tu voz oímos Salvador.
2 Doquiera exista explotación,
falte trabajo, no haya pan,
en los umbrales del terror
oh, Cristo, vemoste llorar.
3 Un vaso de agua puede ser
hoy de tu gracia la señal;
mas ya las gentes quieren ver
tu compasiva y santa faz.
4 Desciende, oh Cristo, con poder
a la sufriente humanidad;
si con amor lo hiciste ayer,
camina y vive en mi ciudad.
5 Hasta que triunfe tu amor
y el mundo pueda oír tu voz,
y de los cielos, oh Señor,
descienda la ciudad de Dios. Scripture: Mark 9:41 Used With Tune: GERMANY
Entre el vaivén de la ciudad
Go Make of All Disciples (¡Discípulos Han de Ganar!)
Author: Leon M. Adkins, 1896-1986; Alberto Merubia, b. 1919 Meter: 7.6.7.6 D Appears in 21 hymnals Topics: Discipulado First Line: "Go make of all disciples" ("¡Discípulos han de ganar!) Scripture: Matthew 28:19-20 Used With Tune: ELLACOMBE
Go Make of All Disciples (¡Discípulos Han de Ganar!)
HERE I AM, LORD
Meter: 7.7.7.4 D with refrain Appears in 63 hymnals Composer and/or Arranger: Dan Schutte, b. 1947; Michael Pope, SJ; John Weissrock Topics: Discipulado Tune Key: G Major Incipit: 17154 55171 65123 Used With Text: Here I Am, Lord (Aquí Estoy, Señor)
HERE I AM, LORD
SINE NOMINE
Meter: 10.10.10 with alleluias Appears in 222 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Topics: Discipulado Tune Key: F Major Incipit: 53215 61253 32177 Used With Text: For All the Saints (Hoy por los Santos)
SINE NOMINE
Tú has venido a la orilla (Pescador de hombres) (Lord, You Have Come to the Lakeshore)
Author: Cesáreo Gabaráin; Gertrude C. Suppe; George Lockwood; Raquel Gutiérrez-Achón Hymnal: Mil Voces para Celebrar #195 (1996) Topics: Discipulado y Servicio; Discipulado y Servicio First Line: Tú has venido a la orilla (Lord, you have come to the lakeshore) Refrain First Line: Señor, me has mirado a los ojos (O Lord, with your eyes you have searched me) Languages: English; Spanish Tune Title: PESCADOR DE HOMBRES
Tú has venido a la orilla (Pescador de hombres) (Lord, You Have Come to the Lakeshore)
Tú has venido a la orilla (Pescador de hombres) (Lord, You Have Come to the Lakeshore)
Author: Cesáreo Gabaráin; Gertrude C. Suppe; George Lockwood; Raquel Gutiérrez-Achón Hymnal: Cáliz de Bendiciones #195 (1996) Topics: Discipulado y Servicio; Discipulado y Servicio First Line: Tú has venido a la orilla (Lord, you have come to the lakeshore) Refrain First Line: Señor, me has mirado a los ojos (O Lord, with your eyes you have searched me) Languages: English; Spanish Tune Title: PESCADOR DE HOMBRES
Tú has venido a la orilla (Pescador de hombres) (Lord, You Have Come to the Lakeshore)
Hazme un instrumento de tu paz (Oración de San Francisco)
Author: San Francisco de Asís, siglo XIII; Sebastian Temple; Sebastian Temple Hymnal: Mil Voces para Celebrar #230 (1996) Meter: Irregular Topics: Discipulado y Servicio; Discipulado y Servicio First Line: Hazme un instrumento de tu paz Languages: Spanish Tune Title: SAN FRANCISCO
Hazme un instrumento de tu paz (Oración de San Francisco)
Carl P. Daw Jr.
b. 1944 Person Name: Carl P. Daw, Jr., b. 1944 Topics: Discipulado Author of "As We Gather at Your Table (Al reunirnos a tu mesa)" in Santo, Santo, Santo Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.).
Emily Brink
Carl P. Daw Jr.
Henri F. Hemy
1818 - 1888 Person Name: Henry F. Hemy, 1818-1888 Topics: Discipulado Composer of "ST. CATHERINE" in Oramos Cantando = We Pray In Song Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music.
John Perry
Henri F. Hemy
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Topics: Discipulado Composer of "SINE NOMINE" in Oramos Cantando = We Pray In Song Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
