Search Results

Switch back to the old search page.Advanced Search

Looking for a lectionary week?

Day
Easter 5	Year A	Year B	Year C

Browse our Lectionary Calendar.

Author: Samuel Medley, 1738-1799 Appears in 470 hymnals Topics: Easter 5, Year A Lyrics: 1 I know that my Redeemer lives; What joy the blest assurance gives! He lives, he lives, who once was dead; He lives, my everlasting Head! 2 He lives, to bless me with his love; He lives, to plead for me above; He lives, my hungry soul to feed; He lives, to help in time of need. 3 He lives, and grants me daily breath; He lives, and I shall conquer death; He lives, my mansion to prepare; He lives, to bring me safely there. 4 He lives, all glory to his name; He lives, my Savior, still the same; What joy the blest assurance gives; I know that my Redeemer lives! Scripture: Job 19:25 Used With Tune: DUKE STREET

Join all the glorious names

Author: I. Watts (1674-1748) Meter: 6.6.6.6.8.8 Appears in 336 hymnals Topics: Easter 5 Going to the Father Lyrics: 1 Join all the glorious names of wisdom, love and power, that ever mortals knew, that angels ever bore; all are too poor to speak his worth, too poor to set my Saviour forth! 2 Great Prophet of my God, my tongue shall bless your name; by you the joyful news of our salvation came: the joyful news of sins forgiven, of hell subdued, and peace with heaven. 3 Jesus, my great High Priest, the Lamb of God who died! my guilty conscience seeks no sacrifice beside; the power of your atoning blood has won acceptance with my God. 4 Divine almighty Lord, my Conqueror and my King: your sceptre and your sword, your reigning grace I sing: yours is the power — and so I sit in willing service at your feet. 5 Now let my soul arise, and tread the tempter down: my Captain leads me on to conquest and a crown; the child of God shall win the day, though death and hell obstruct the way. Used With Tune: CROFT'S 136th

Ye choirs of new Jerusalem

Author: St Fulbert of Chartres; Robert Campbell, 1814-1868 Meter: 8.6.8.6 Appears in 68 hymnals Topics: Year C Easter 5 Lyrics: 1 Ye choirs of new Jerusalem, your sweetest notes employ, the Paschal victory to hymn in strains of holy joy. 2 For Judah's Lion burst his chains, and crushed the serpent's head; and brought with him, from death's domains, the long-imprisoned dead. 3 From hell's devouring jaws the prey alone our leader bore; his ransomed hosts pursue their way where he hath gone before. 4 Triumphant in his glory now his sceptre ruleth all: earth, heav'n and hell before him bow and at his footstool fall. 5 While joyful thus his praise we sing, his mercy we implore, into his palace bright to bring, and keep us evermore. 6 All glory to the Father be, all glory to the Son, all glory, Holy Ghost, to thee, while endless ages run. Scripture: Genesis 3:14-15 Used With Tune: ST FULBERT

View 203 more texts

Tunes

Tune authorities

MORNING SONG

Meter: 8.6.8.6.8.6 Appears in 170 hymnals Composer and/or Arranger: C. Winfred Douglas Topics: Year C Easter 5 Tune Sources: Melody from Sixteen Tune Settings, 1812 Tune Key: f minor Incipit: 51234 32175 51234 Used With Text: O Holy City, Seen of John

HYMN TO JOY

Meter: 8.7.8.7 D Appears in 477 hymnals Composer and/or Arranger: Ludwig van Beethoven; Edward Hodges Topics: Year B Easter 5 Tune Key: G Major Incipit: 33455 43211 23322 Used With Text: Joyful, Joyful, We Adore You

ENGELBERG

Meter: 10.10.10 with refrain Appears in 140 hymnals Composer and/or Arranger: Charles Villiers Stanford Topics: The Church at Worship Holy Baptism; Baptism; Creation; Funeral Vigil; Hallelujah; Jesus Christ Divinity; Jesus Christ Resurrection; New Creation; Resurrection; Salvation; Water; Easter 3 Year A; Proper 7 Year A; Proper 10 Year A; Lent 1 Year B; Epiphany 5 Year C; Easter 1 Year C; Proper 13 Year C Tune Key: G Major Incipit: 51325 67165 55432 Used With Text: We Know That Christ Is raised

View 215 more tunes

Instances

Published text-tune combinations (hymns) from specific hymnals

At the Lamb's High Feast We Sing

Author: Robert Campbell, 1814-1868 Hymnal: Lutheran Book of Worship #210 (1978) Meter: 7.7.7.7.4 Topics: Easter 5 Lyrics: 1 At the Lamb's high feast we sing Praise to our victorious king, Who has washed us in the tide Flowing from his pierced side. Alleluia! 2 Praise we him, whose love divine Gives his sacred blood for wine, Gives his body for the feast - Christ the victim, Christ the priest. Alleluia! 3 Where the paschal blood is poured Death's dread angel sheathes the sword; Israel's hosts triumphant go Through the wave that drowns the foe. Alleluia! 4 Praise we Christ, whose blood was shed, Paschal victim, paschal bread; With sincerity and love Eat we manna from above. Alleluia! 5 Mighty Victim from the sky, Hell's fierce pow'rs beneath you lie; You have conquered in the fight, You have brought us life and light. Alleluia! 6 Now no more can death appall, Now no more the grave enthrall; You have opened paradise, And Your saints in you shall rise. Alleluia! 7 Easter triumph, Easter joy! This alone can sin destroy; From sin's pow'r, Lord, set us free, Newborn souls in you to be. Alleluia! 8 Father, who the crown shall give, Savior, by whose death we live, Spirit, guide through all our days: Three in One, your name we praise. Alleluia! Languages: English Tune Title: SONNE DER GERECHTIGKEIT

Psalm 66: Let All the Earth Cry Out

Hymnal: Journeysongs (2nd ed.) #53 (2003) Topics: Easter 5 Year B; Easter 5 Year B; Easter 5 Year B First Line: Shout joyfully to God, all the earth Refrain First Line: Let all the earth cry out Scripture: Psalm 66:1-7 Languages: English Tune Title: [Shout joyfully to God, all the earth]

Isaiah 12: Ustedes Sacarán Agua (You Will Draw Water Joyfully)

Hymnal: Journeysongs (2nd ed.) #116 (2003) Topics: Easter Vigil Reading 5; Easter Vigil Reading 5; Easter Vigil Reading 5 First Line: Vean cómo es él (God indeed is my savior) Refrain First Line: Ustedes sacarán agua Languages: English; Spanish Tune Title: [Vean cómo es él]

View 273 more instances

People

Authors, composers, editors, etc.

Joseph Parry

1841 - 1903 Person Name: Joseph Parry, 1841-1903 Topics: Year A Easter 5 Composer of "ABERYSTWYTH" in Complete Anglican Hymns Old and New Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

Johann Jakob Schütz

1640 - 1690 Person Name: Johann Jacob Schütz Topics: Easter 5 Year A Author of "Sing Praise to God, Who Reigns Above" in Voices United Schütz, Johann Jakob, was born Sept. 7, 1640, at Frankfurt am Main. After studying at Tübingen (where he became a licentiate in civil and canon law), he began to practise as an advocate in Frankfurt, and in later years with the title of Rath. He seems to have been a man of considerable legal learning as well as of deep piety. He was an intimate friend of P. J. Spener; and it was, in great measure, at his suggestion, that Spener began his famous Collegia Pietatis. After Spener left Frankfurt, in 1686, Schütz came under the influence of J. W. Petersen; and carrying out Petersen's prin¬ciples to their logical conclusion, he became a Separatist, and ceased to attend the Lutheran services or to communicate. He died at Frankfurt, May 22, 1690 (Koch, iv. 220; Blätter fur Hymnologie, Feb. 1883). Schütz is known as an author by two tractates; one being his Christliche Lebensregeln, Frankfurt, 1677; the other, that which contains his hymns, Christliches Gedenckbüchlein, zu Beforderung eines anfangenden neuen Lebens, &c, Frankfurt am Main, 1675 [Library of the Predigerministerium at Frankfurt]. This work includes 5 hymns, in a separate section, which is headed, “Hierauf folgen etliche Gesänge." These hymns are:— i. Die Wollust dieser Welt. ii. Was inich auf dieser Welt betrübt. iii. So komm, geliebte Todes-Stund. iv. Scheuet ihr, ihr matten Glieder. v. Sei Lob und Ehr dem höchsten Gut. Of these No. v. is undoubtedly by Schütz, and the other four exhibit much the same style of thought as, and frequent parallels to, the prose portions of the work. None of these have been traced earlier than 1675; and until this has been done, it is pretty safe to ascribe them all to Schütz. Three of these hymns have passed into English, viz.:— i. Sei Lob und Ehr dem höchsten Gut. Praise and Thanksgiving. First published in 1675, as above, No. v. It is founded on Deut. xxxii. 3; entitled, "Hymn of Thanksgiving ;" and is in 9 stanzas of 6 lines, and the refrain, "Gebt unserm Gott die Ehre”. Koch, iv. 220, speaks of this hymn as "outweighing many hundred others; and a classical hymn, which, from its first appearance, attracted unusual attention." And Lauxmann, in Koch, viii. 334-339, relates how delighted J. J. Moser was, when, on entering church the first Sunday after his captivity at Hohentwiel, he heard this hymn, and how heartily he joined in it; how it comforted the dying G. C. Rieger, of Stuttgart, on Tuesday, in Easter Week, 1743, and many other incidents. Translations in common use:— 1. All Glory to the Sov'reign Good. This is a full and good translation by J. OJacobi, in his Psalter Germanica, 2nd ed., 1732, p. 151, where it is entitled, "The Malabarian Hymn." 2. All glory be to God most high. A good translation by A. T. Russell, of st. i., iv., viii., for the Dalston Hospital Hymn Book, 1848, No. 59. 3. All praise and thanks to God most high. This is a good tr., omitting st. ix., by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 146. 4. Sing praise to God Who reigns above. A good tr., omitting st. ix., contributed by Miss Cox to Lyra Eucharistica, 1864, p. 33, and included in her Hymns from the German, 1864, p. 235. 5. To God a joyful anthem raise. A good tr. of st. i., ii., iv., v., viii., by J. M. Sloan, as No. 314, in J. H. Wilson's Service of Praise, 1865. The following are also translated into English:— ii. So komm, geliebte Todes-Stund. For the Dying. First published in 1675, as above, No. iii., in 11 st. of 8 1., entitled, "The thoughts on Death of a Royal Princess, after the usual interpretation of Job xix. 25." This Princess was Sophie Elisabethe. daughter of Duke Philipp Ludwig, of Holstein-Sonderburg (b. at Homburg vor der Hohe, May 4, 1653; married, in 1676. to Duke Moritz, of Sachse-Zeitz; d. at Schleusingen, Aug. 19, 1684), who had been a regular attender at Spener's conferences at Frankfurt, and thus associated with Schütz. This hymn has often been ascribed to her; and she had already chosen Job xix. 25, as the text of her funeral sermon. But it is more probable that both hymns were written by Schütz for her use, or in her honour. The trs. are :—(1) "Come, happy hour of death, and close." By Dr. G. Walker, 1860, p. 56. (2) "O come, delightful hour of death." By Dr. G. Walker, 1860, p. 106. iii. Was mich auf dieser Welt betriibt. Earthly Vanities. This hymn, on Renunciation of the World, first appeared in 1675, as above, No. ii., in 4 st. of 10 1., and entitled "From the World to God." It has sometimes been erroneously ascribed to Michael Franck. It is tr. as "The woes that weigh my body down." By Miss Manington, 1863, p. 32. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Georg Neumark

1621 - 1681 Topics: Easter 5 Year A Author of "Il faut qu'en Dieu l'on se confie (If You Will Trust in God to Guide You" in Voices United Georg Neumark (b. Langensalza, Thuringia, Germany, 1621; d. Weimar, Germany, 1681) lived during the time of the Thirty Years' War, when social and economic conditions were deplorable. He had personal trials as well. On his way to Königsberg to study at the university, traveling in the comparative safety of a group of merchants, he was robbed of nearly all his possessions. During the next two years he spent much of his time looking for employment. He finally secured a tutoring position in Kiel. When he had saved enough money, he returned to the University of Königsberg and studied there for five years. In Königsberg he again lost all his belongings, this time in a fire. Despite his personal suffering Neumark wrote many hymns in which he expressed his absolute trust in God. In 1651 he settled in Weimar, Thuringia, where he became court poet and archivist to Duke Johann Ernst and librarian and registrar of the city. Neumark wrote thirty-four hymns, of which "If You But Trust in God to Guide You" has become a classic. Bert Polman ============== Neumark, Georg, son of Michael Neumark, clothier at Langensalza, in Thuringia (after 1623 at Miihlhausen in Thuringia), was born at Langensalza, March 16, 1621; and educated at the Gymnasium at Schleueingen, and at the Gymnasium at Gotha. He received his certificate of dimission from the latter in Sept. 1641 (not 1640). He left Gotha in the autumn of 1641 along with a number of merchants who were going to the Michaelmas Fair at Leipzig. He then joined a similar party who were going from Leipzig to Lübeck; his intention being to proceed to Königsberg and matriculate at the University there. After passing through Magdeburg they were plundered by a band of highwaymen on the Gardelegen Heath, who robbed Neumark of all he had with him, save his prayer-book and a little money sewed up in the clothes he was wearing. He returned to Magdeburg, but could obtain no employment there, nor in Lüneburg, nor in Winsen, nor in Hamburg, to which in succession the friends he made passed him on. In the beginning of December he went to Kiel, where he found a friend in the person of Nicolaus Becker, a native of Thuringia, and then chief pastor at Kiel. Day after day passed by without an opening, till about the end of the month the tutor in the family of the Judge Stephan Henning fell into disgrace and took sudden flight from Kiel. By Becker's recommendation Neumark received the vacant position, and this sudden end of his anxieties was the occasion of the writing of his hymn as noted below. In Henning's house the time passed happily till he had saved enough to proceed to Königsberg, where he matriculated June 21, 1643, as a student of law. He remained five years, studying also poetry under Dach, and maintaining himself as a family tutor. During this time (in 1046) he again lost all his property, and this time by fire. In 1648 he left Königsberg, was for a short time at Warsaw, and spent 1649-50 at Thorn. He was then in Danzig, and in Sept. 1651 we find him in Hamburg. In the end of 1651 he returned to Thuringia, and bronght himself under the notice of Duke Wilhelm II. of Sachse-Weimar, the chief or president of the Fruit-bearing Society, the principal German literary union of the 17th century. The Duke, apparently in 1652, appointed him court poet, librarian and registrar of the administration at Weimar; and finally secretary of the Ducal Archives. In Sept. 1653 he was admitted as a member of the Fruit-bearing Society, of which he became secretary in 1656, and of which he wrote a history (Der Neu-Sprossende Teutsche Palmbaum, Nürnberg and Weimar, 1668); and, in 1679, became also a member of the Pegnitz Order. In 1681 he became blind, but was permitted to retain his emoluments till his death, at Weimar, July 18, 1681. [K. Goedeke's Grundriss, vol. iii., 1887, p. 74; Allgemeine Deutsche Biographie. xxiii. 539; Weimarisches Jahrbuch, vol. iii., 1855, p. 176, &c. The dates given by the different authorities vary exceedingly, and are quite irreconcilable. In the registers at Schleusingen Neumark is last mentioned in 1636, and then as in the Third Form. Dr. von Bamberg, director of the Gymnasium at Gotha, informs me that Neumark's name appears in the matriculation book there under January 31, 1641; and as one of the "newly entered" scholars.] A long list of Neumark's poetical works is given by Goedeke. A large proportion of his secular poems are pastorals, or else occasional poems written to order at Weimar; and in all there is little freshness, or happiness in expression, or glow of feeling. As a musician, and as a hymn-writer, he is of more importance. His hymns appeared in his (1) Poetisch-und Musikalisches Lustwäldchen, Hamburg, 1652; the enlarged edition, entitled (2) Fortgepfiantzter Musikalizch-Poetischer Lustwald, Jena, 1657; and (3) Unterschiedliche, so wol gottseliger Andacht; als auch zu christlichen Tugenden aufmuntemde Lieder, Weimar, 1675. Of the 34 hymns in these three works a few are found in the German hymn-books of the 17th century, and three or four still survive. The best of Neumark's hymns are those of Trust in God, and patient waiting for His help under trial and suffering; and one of these may be fairly called classical and imperishable. It is:— Wer nur den lieben Gott lässt walten. Trust in God. First published in his Fortgepflantzter musikalisch-poetischer Lustwald, Jena, 1657, p. 26, in 7 stanzas of 6 lines, entitled “A hymn of consolation. That God will care for and preserve His own in His own time. After the saying 'Cast thy burden upon the Lord, and He shall sustain thee'“(Ps. lv. 22). This, his finest hymn, was written in 1641, at Kiel, when after unsuccessful attempts to procure employment he became a tutor in the family of the judge Stephan Henning. Of this appointment Neumark, in his Thrünendes Haus-Kreuiz, Weimar, 1681, speaks thus:-— "Which good fortune coming suddenly, and as if fallen from heaven, greatly rejoiced me, and on that very day I composed to the honour of my beloved Lord the here and there well-known hymn 'Wer nur den lieben Gott lässt walten'; and had certainly cause enough to thank the Divine compassion for such unlooked for grace shown to me," &c. As the date of its composition is thus December, 1641, or at latest Jan. 1642, it is certainly strange that it was not published in his Lustwäldchen, Hamburg, 1652. In that volume he does give, at p. 32, a piece entitled, "a hymn of consolation, when, in 1646, through a dreadful fire I came to my last farthing." The apocryphal story, according to which the hymn was written at Hamburg, about 1653 (see Miller's Singers and Songs, 1869, p. 91), has not been traced earlier than 1744. The hymn speedily became popular, and passed into hymn-books all over Germany (Leipzig Vorrath, 1673, No. 1169), and still holds its place as in the Berlin Geistliche Lieder, ed. 1863, No. 73. Lauxmann, in Koch, viii. 386-390, relates that it was the favourite hymn of Magdalena Sibylla (d. 1687), wife of the Elector Johann Georg II. of Saxony; was sung, by his command, at the funeral, in 1740, of King Friedrich Wilhelm I. of Prussia; was sung, or rather played, by the first band of missionaries from Herrmannsburg as they set sail from Brunshausen on the Elbe (near Stade) on Oct. 28, 1853, &c. The beautiful melody by Neumark was probably composed in 1641 along with the hymn, and was published with it in 1657. On it J. S. Bach composed a cantata. It is well known in England through its use by Mendelssohn in his St. Paul ("To Thee, 0 Lord, I yield my spirit"), and from its introduction into Hymns Ancient & Modern (as Bremen), and many other collections. Translations in common use:-- 1. Who leaves th' Almighty God to reign. A full but free translation by Sir John Bowring in his Hymns, 1825, No. 58. His translations of stanzas ii., iv.-vi. beginning "How vain are sighs! how vain regret," are included in Curtis's Union Collection, 1827. 2. Who all his will to God resigneth. A good and full translation by A. T. Kussell, as No. 236 in his Psalms & Hymns, 1851. His translations of st. v.-vii. beginning "Say not, I am of God forsaken," are in Dr. Pagenstecher's Collection, 1864. 3. Leave God to order all thy ways. A full and good translation by Miss Winkworth, in her Lyra Germanica, 1st Ser. 1855, p. 152. This is given in full in M. W. Stryker's Christian Chorals, 1885, and, omitting st. vi., in W. F. Stevenson's Hymns for Church and Home, 1873, and the Baptist Hymnal, 1879. Further abridged forms are in the Baptist Psalms & Hymns, 1858; Harrow School Hymn Book, l866; Holy Song, 1869, and others. In the Pennsylvania Lutheran Church Book, 1868; and the American Presbyterian Hymnal, 1874, st. v., vi. are omitted, and the rest altered to 6 stanzas, beginning "My God, I leave to Thee my ways." 4. Him who the blessed God trusts ever. A good and full translation by Dr.John Ker in the Juvenile Missionary Magazine, of the United Presbyterian Church, 1857. It was revised, and st. iii., v., vi. omitted, for the Ibrox Hymnal, 1871, where it begins: "He who,” &c. 5. If thou but suffer God to guide thee. A full and good translation by Miss Winkworth (based on her Lyra Germanica version and set to the original melody), as No. 134 in her Chorale Book for England, 1863. Repeated in full in the Baptist Psalmist, 1878, and in America in the Ohio Lutheran Hymnal, 1880. It is found, in various abridged forms, in J. Robinson's Collection, 1869; Horder's Congregational Hymns , 1884; the Evangelical Hymnal, N. Y., 1880, and others. 6. He, who the living God hath chosen. A translation of st. i., ii., vii. by Miss Borthwick, as No. 237 in Dr. Pagenstecher's Collection, 1864. 7. He who doth glad submission render. A good translation omitting st. vi., by J. M. Sloan, as No. 284 in J. H. Wilson's Service of Praise, 1865, repeated, omitting the translations of st. ii., vii., in Flett's Collection, Paisley, 1871. Other translations are:— (1) "He that confides in his Creator." By J. C. Jacobi, 1720, p. 13 (1722, p. 36; 1732, p. 61). Repeated in the Moravian Hymn Book, 1754, and later eds. (1886, No. 183). (2) "0 Christian! let the Lord direct." By Miss Knight in her Trs. from the German in Prose and Verse, 1812, p. 85. (3) "To let God rule who's but contented." By H. W. Dulcken in his Book of German Song, 1856, p. 274. (4) "He who the rule to God hath yielded." By J. D. Burns in the Family Treasury, 1859, p. 309, and his Memoir & Remains, 1869, p. 240. (5) "Who trusts in God's all-wise direction." By R. Massie, in the British Herald, Aug. 1865, p. 120, and Reid's Praise Book, 1872. (6) "Who yields his will to God's good pleasure. In the British Herald, April, 1866, p. 244, and in Reid's Praise Book, 1872. (7) "He who commits his way to God." In the Family Treasury, 1878, p. 49. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

User Links