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O Jehovah, Hear My Words

Meter: 7.7.7.7 D Appears in 24 hymnals Topics: Imprecatory Psalms Lyrics: 1 O Jehovah, hear my words, to my thoughts attentive be; hear my cry, my King, my God, I will make my prayer to thee. With the morning light, O Lord, thou shalt hear my voice arise, and expectant I will bring prayer as morning sacrifice. 2 Thou, Jehovah, art a God who delightest not in sin; evil shall not dwell with thee, nor the proud thy favor win. Evil-doers thou dost hate, lying tongues thou wilt defeat; God abhors the man who loves violence and base deceit. 3 In the fulness of thy grace to thy house I will repair; bowing toward thy holy place, in thy fear to worship there. Lead me in thy righteousness, let my foes assail in vain; lest my feet be turned aside, make thy way before me plain. 4 False and faithless are my foes, in their mouth no truth is found; deadly are the words they speak, all their thoughts with sin abound. Bring, O God, their plans to naught, hold them guilty in thy sight, for against thee and thy law they have set themselves to fight. 5 O let all that trust thy care ever glad and joyful be; let them joy who love thy name, safely guarded, Lord, by thee. For a blessing from thy store to the righteous thou wilt yield; thou wilt compass him about with thy favor as a shield. Scripture: Psalm 5 Used With Tune: ABERYSTWYTH Text Sources: The Psalter, 1912
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O God, No Longer Hold Thy Peace

Meter: 8.6.8.6 D Appears in 8 hymnals Topics: Imprecatory Psalms Lyrics: 1 O God, no longer hold Thy peace, No longer silent be; Thy enemies lift up their head To fight Thy saints and Thee. Against Thy own, whom Thou dost love, Their craft Thy foes employ; They think to cut Thy people off, Thy Church they would destroy. 2 Thy ancient foes, conspiring still, With one consent agree, And they who with Thy people strive Make war, O God, with Thee. O God, Who in our fathers' time Didst smite our foes and Thine, So smite Thy enemies today Who in their pride combine. 3 Make them like dust and stubble blown Before the whirlwind dire, In terror driven before the storm Of Thy consuming fire. Confound them in their sin till they To Thee for pardon fly, Till in dismay they trembling, own That Thou art God Most High. Scripture: Psalm 83 Used With Tune: FOREST GREEN
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In Full Assurance of Thy Grace

Meter: 8.6.8.6 Appears in 6 hymnals Topics: Imprecatory Psalms Lyrics: 1 In full assurance of Thy grace To Thee my prayer ascend; In Thy abounding love and truth, O God, salvation send. 2 Preserve my sinking soul, I pray, From tides of hatred save; Let not the waters overflow, Redeem me from the grave. 3 Because Thy mercy, Lord, is good, O answer me in grace, And in the riches of Thy love O turn to me Thy face. 4 Hide not Thy face from my distress, A speedy answer send; Draw near to me, my soul redeem, From all my foes defend. 5 Well known to Thee is my reproach, My shame and my disgrace; The adversaries of my soul Are all before Thy face. 6 My heart is broken by reproach, My soul is full of grief; I looked in vain for comforters, For pity and relief. 7 They gave me bitter gall for food, And taunting words they spake; They gave me vinegar to drink, My burning thirst to slake. 8 Their peace and plenty be their snare, In blindness let them grope; Thy indignation on them pour, And desolate their hope. 9 Because they proudly persecute Those whom Thou, Lord, dost smite, Let them be blotted from Thy book And banished from Thy sight. Scripture: Psalm 69 Used With Tune: ST. FLAVIAN

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DETROIT

Meter: 8.6.8.6 Appears in 73 hymnals Composer and/or Arranger: Dale Grotenhuis Topics: Imprecatory Psalms Tune Sources: Ananias Davisson, A Supplement to the Kentucky Harmony, 1820 Tune Key: d minor or modal Incipit: 13453 43171 13457 Used With Text: O Lord, How Many Are My Foes!
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OLIVE'S BROW

Meter: 8.8.8.8 Appears in 276 hymnals Composer and/or Arranger: William B. Bradbury Topics: Imprecatory Psalms Tune Key: A Flat Major Incipit: 55566 55511 12322 Used With Text: By Babel's Streams We Sat and Wept
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FOREST GREEN

Meter: 8.6.8.6 D Appears in 249 hymnals Composer and/or Arranger: R. Vaughan Willilams Topics: Imprecatory Psalms Tune Sources: English traditional melody Tune Key: F Major or modal Incipit: 51112 32345 34312 Used With Text: O God, No Longer Hold Thy Peace

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Lord, How Many Are My Foes!

Hymnal: Trinity Psalter Hymnal #3 (2018) Meter: 8.6.8.6 Topics: Imprecatory Psalms Lyrics: 1 O LORD, how many are my foes! Against me many rise. They say of me, "He has no help, though he on God relies." 2 You are my shield and glory, LORD, the lifter of my head. I cried out "LORD! and from his hill his answer to me sped. 3 I lay down, slept, and woke again; the LORD sustains my life. Tho' thousands round me take their stand, I fear not in the strife. 4 Arise, O LORD, and save me, God! You punish all my foes. You smite the face of wicked men, and break their teeth with blows. 5 Deliv'rance to the LORD belongs, salvation his alone! Your blessing on your people, LORD, forevermore be shown! Scripture: Psalm 3 Languages: English Tune Title: DETROIT

Mighty Man, Why Boast of Evil?

Hymnal: Trinity Psalter Hymnal #52 (2018) Meter: 8.8.7.7 D Topics: Imprecatory Psalms Scripture: Psalm 52 Languages: English Tune Title: GENEVAN 77

You Gods and Rulers, Can You Claim

Hymnal: Trinity Psalter Hymnal #58 (2018) Meter: 8.6.8.6 D Topics: Imprecatory Psalms Scripture: Psalm 58 Languages: English Tune Title: SHEPHERDS' PIPES

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Topics: Imprecatory Psalms Composer of "VOX DILECTI" in Psalter Hymnal (Blue) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Joseph Parry

1841 - 1903 Topics: Imprecatory Psalms Composer of "ABERYSTWYTH" in Trinity Hymnal (Rev. ed.) Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

William B. Bradbury

1816 - 1868 Topics: Imprecatory Psalms Composer of "OLIVE'S BROW" in Psalter Hymnal (Blue) William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry