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Now thank we all our God

Author: Martin Rinkart (1586-1649); Catherine Winkworth (1827-1878) Meter: 6.7.6.7.6.6.6.6 Appears in 688 hymnals Topics: Our Response to God in adoration and gratitude Lyrics: 1 Now thank we all our God, with heart and hands and voices, who wondrous things hath done, in whom his world rejoices; who from our mothers' arms has blessed us on our way with countless gifts of love, and still is ours today. 2 Oh, may this bounteous God through all our life be near us, with ever-joyful hearts and blessèd peace to cheer us, to keep us in his grace, and guide us when perplexed, and free us from all ills in this world and the next. 3 All praise and thanks to God who reigns in highest heaven -- the Father and the Son and Spirit -- now be given: the one, eternal God, whom earth and heaven adore; for thus it was, is now, and shall be evermore. Scripture: 1 Thessalonians 5:18 Used With Tune: NUN DANKET
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New every morning is the love

Author: John Keble (1792-1866) Meter: 8.8.8.8 Appears in 362 hymnals Topics: The Living God Our Response to God - in the morning and evening Lyrics: 1 New every morning is the love our wakening and uprising prove; through sleep and darkness safely brought, restored to life, and power, and thought. 2 New mercies, each returning day, hover around us while we pray, -- new perils past, new sins forgiven, new thoughts of God, new hopes of heaven. 3 If, on our daily course, our mind be set to hallow all we find, new treasures still, of countless price, God will provide for sacrifice. 4 The trivial round, the common task, will furnish all we ought to ask, -- room to deny ourselves, a road to bring us daily nearer God. 5 Prepare, O Lord, in your dear love, for perfect life with you above; and help us, this and every day, to live more nearly as we pray. Scripture: 1 Corinthians 10:31 Used With Tune: TRURO
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Where high the heavenly temple stands

Meter: 8.8.8.8 Appears in 204 hymnals Topics: Our Response to God in intercession and petition Lyrics: 1 Where high the heavenly temple stands, the house of God not made with hands, a great High Priest our nature wears, Jesus, the Son of God, appears. 2 He who for us our surety stood, and poured on earth his precious blood, pursues in heaven his mighty plan, eternal God and Son of Man. 3 Though now ascended up on high, he bends on earth a brother's eye; partaker of the human name, he knows the frailty of our frame. 4 Our fellow-sufferer yet retains a fellow-feeling of our pains; and still remembers in the skies his tears, his agonies and cries. 5 In every pang that rends the heart the Man of Sorrows has a part; he sympathizes with our grief, and to the sufferer sends relief. 6 With boldness, therefore, at the throne, let us make all our sorrows known; and ask the aid of heavenly power to help us in the evil hour. Scripture: Hebrews 4:14-16 Used With Tune: PUER NOBIS NASCITUR Text Sources: Scottish Paraphrases, 1781, Paraphrase 58, alt.

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PICARDY

Meter: 8.7.8.7.8.7 Appears in 235 hymnals Composer and/or Arranger: Ralph Vaughan Williams (1872-1958) Topics: Our Response to God in intercession and petition Tune Sources: French carol melody Tune Key: d minor Incipit: 12345 54555 567 Used With Text: God of freedom, God of justice
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WIR PFLÜGEN

Meter: 7.6.7.6 D with refrain Appears in 287 hymnals Composer and/or Arranger: Johann Abraham Peter Schulz (1747-180); John Bacchus Dykes (1823-1876) Topics: Our Response to God in times and seasons Tune Key: A Major Incipit: 51155 31543 21556 Used With Text: All good gifts around us
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SALZBURG (HAYDN)

Meter: 8.6.8.6 Appears in 83 hymnals Composer and/or Arranger: Johann Michael Haydn (1737-1806) Topics: The Living God Our Response to God - in intercession and petition; Our Response to God in intercession and petition Tune Sources: adapted Revised Church Hymnary 1927 Tune Key: E Flat Major Incipit: 13554 33211 17154 Used With Text: O God of Bethel! by whose hand

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Sing to God new songs of worship

Author: Michael Baughen (b. 1930) Hymnal: Church Hymnary (4th ed.) #173 (2005) Meter: 8.7.8.7 D Topics: Our Response to God in adoration and gratitude; Our Response to God in the worship of God's house Lyrics: 1 Sing to God new songs of worship-- all his deeds are marvellous; he has brought salvation to us with his hand and holy arm: he has shown to all the nations righteousness and saving power; he recalled his truth and mercy to his people Israel. 2 Sing to God new songs of worship-- earth has seen his victory; let the lands of earth be joyful praising him with thankfulness: sound upon the harp his praises, play to him with melody: let the trumpets sound his triumph, show your joy to God the king! Sing to God new songs of worship-- let the sea now make a noise; all on earth and in the waters sound your praises to the Lord! Let the hills rejoice together let the rivers clap their hands, for with righteousness and justice he will come to judge the earth. Scripture: Psalm 98 Languages: English Tune Title: ODE TO JOY
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Sing to God new songs of worship

Author: Michael Baughen (b. 1930) Hymnal: Hymns of Glory, Songs of Praise #173 (2008) Meter: 8.7.8.7 D Topics: Our Response to God in adoration and gratitude; Our Response to God in the worship of God's house Lyrics: 1 Sing to God new songs of worship- all his deeds are marvellous; he has brought salvation to us with his hand and holy arm: he has shown to all the nations righteousness and saving power; he recalled his truth and mercy to his people Israel. 2 Sing to God new songs of worship- earth has seen his victory; let the lands of earth be joyful praising him with thankfulness: sound upon the harp his praises, play to him with melody; let the trumpets sound his triumph, show your joy to God the king! 3 Sing to God new songs of worship- let the sea now make a noise; all on earth and in the waters, sound your praises to the Lord! Let the hills rejoice together, let the rivers clap their hands, for with righteousness and justice he will come to judge the earth. Scripture: Psalm 98 Languages: English Tune Title: ODE TO JOY
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For the fruit of all creation

Author: Frederick Pratt Green (1903-2000) Hymnal: Church Hymnary (4th ed.) #231 (2005) Meter: 8.4.8.4.8.8.8.4 Topics: The Living God Our Response to God - in times and seasons; Our Response to God in times and seasons Lyrics: 1 For the fruits of all creation, thanks be to God; for these gifts to every nation, thanks be to God; for the ploughing, sowing, reaping, silent growth while we are sleeping, future needs in earth's safe-keeping, thanks be to God. 2 In the just reward of labour, God's will is done; in the help we give our neighbour, God's will is done; in our world-wide task of caring for the hungry and despairing, in the harvests we are sharing, God's will is done. 3 For the harvests of the Spirit, thanks be to God; for the good we all inherit, thanks be to God; for the wonders that astound us, for the truths that still confound us, most of all, that love has found us, thanks be to God. Scripture: 1 Chronicles 16:12 Languages: English Tune Title: EAST ACKLAM

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Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn (1737-1806) Topics: The Living God Our Response to God - in intercession and petition; Our Response to God in intercession and petition Composer of "SALZBURG (HAYDN)" in Church Hymnary (4th ed.) Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

George J. Elvey

1816 - 1893 Person Name: George Job Elvey (1816-1893) Topics: The Living God Our Response to God - in times and seasons Composer of "ST. GEORGE'S WINDSOR" in Church Hymnary (4th ed.) George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Michael Praetorius

1571 - 1621 Person Name: Michael Praetorius (1571-1621) Topics: Our Response to God in intercession and petition Adapter of "PUER NOBIS NASCITUR" in Church Hymnary (4th ed.) Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman